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frame.io

2023

Sky Sports and Coffee & TV are a Winning Team at the US Openoriginal ↗
25 Sept 2023
The Rough Cut: The Editors of “The Afterparty” Confess to Everything.original ↗
21 Sept 2023
Insider Tips: Use Keyframe Interpolation for Smoother Animationoriginal ↗
20 Sept 2023
See You at Adobe MAX 2023original ↗
19 Sept 2023
Grading by Numbers. When to Use Color Scopes (and When Not To)original ↗
18 Sept 2023
The Rough Cut: How the Editors of “Jury Duty” Built a Hero’s Journey for Ronald Gladdenoriginal ↗
14 Sept 2023
IBC 2023 – New Solutions for Storage, Comparing, and Sharingoriginal ↗
13 Sept 2023
Introducing Frame.io Storage Connectoriginal ↗
13 Sept 2023
Insider Tips: Customize Avid Media Composer Shortcuts and Edit Fasteroriginal ↗
12 Sept 2023
Vidico Teams with Spotify on an Internationally Appealing Campaignoriginal ↗
11 Sept 2023
The Rough Cut: Editors Take the Racing Line in “Gran Turismo”original ↗
7 Sept 2023
Insider Tips: Cut Digital Saturation with Resolve’s Luminance vs Saturationoriginal ↗
6 Sept 2023
How a Professional Colorist Grades RED Camera Footage in Resolveoriginal ↗
4 Sept 2023
The Rough Cut: The Editors Polishing “The Righteous Gemstones”original ↗
31 Aug 2023
Insider Tips: Format Currency in After Effects with this Expressionoriginal ↗
30 Aug 2023
Frame.io Live: Atomos and Camera to Cloudoriginal ↗
30 Aug 2023
What Can We Learn/Steal from Cinema’s “Forgotten” Techniques?original ↗
28 Aug 2023
The Rough Cut: Meet the Driving Force Behind “Obi-Wan Kenobi”original ↗
24 Aug 2023
Insider Tips: Easy Focus Pulls with Final Cut Pro’s Reverse Cliporiginal ↗
23 Aug 2023
Frame.io Connections: Color Grading Essentials in Premiere Prooriginal ↗
21 Aug 2023
The Rough Cut: Meet the Editors Who Cut a Big Slice of “Beef”original ↗
17 Aug 2023
Insider Tips: Faster 3-Point Edits Using Premiere Pro’s Replace with Cliporiginal ↗
16 Aug 2023
How a Pro Colorist Uses Film Grainoriginal ↗
14 Aug 2023
The Rough Cut: The Editors Behind Christopher Nolan’s “Oppenheimer”original ↗
10 Aug 2023
Insider Tips: Making Precise Audio Edits in Media Composeroriginal ↗
9 Aug 2023
Made in Frame: How This Sports Photographer Beats the Clockoriginal ↗
7 Aug 2023
The Rough Cut: “Barbie” Editors are in the Pinkoriginal ↗
3 Aug 2023
Insider Tips: Use Remote Grades for Faster Editing in DaVinci Resolveoriginal ↗
2 Aug 2023
Is Generative AI for Video Ready for Prime Time Production?original ↗
31 Jul 2023
The Rough Cut: Getting Schooled by the Editors of “Abbott Elementary”original ↗
27 Jul 2023
Insider Tips: Find What’s Causing Slow Renders in After Effectsoriginal ↗
26 Jul 2023
IBC 2023: See You in Amsterdam!original ↗
25 Jul 2023
How Professional Colorists Look at Image Contrastoriginal ↗
24 Jul 2023
The Rough Cut: M:I 7 Editor Eddie Hamilton Sets the Pace for Dead Reckoning Part Oneoriginal ↗
20 Jul 2023
Insider Tips: Final Cut Pro’s To Do Markers and Frame.iooriginal ↗
19 Jul 2023
More than Weddings. The Art of Being a Happy Professional Photographeroriginal ↗
17 Jul 2023
The Rough Cut: How Editor Nena Erb Drives the Comedy in “Joy Ride”original ↗
13 Jul 2023
Insider Tips: Three Ways to Move Your Entire Timeline in Premiere Prooriginal ↗
12 Jul 2023
A Question of Perception: How This Innovative Studio Sees VFX From a Different Angleoriginal ↗
10 Jul 2023
The Rough Cut: Dialing in the Edit for Indiana Jonesoriginal ↗
6 Jul 2023
Insider Tips – Use Media Composer’s List Tool to Create an Edit Changelistoriginal ↗
5 Jul 2023
How to Receive Client Feedback (Even When it’s Not Constructive).original ↗
3 Jul 2023
The Rough Cut: Editing the Shifting Shapes of Netflix’s “Nimona”original ↗
29 Jun 2023
Insider Tips: Easy Punch-Ins Using DaVinci Resolve’s Adjustment Cliporiginal ↗
28 Jun 2023
ACES 1.3—Fixing Those Color Management Issuesoriginal ↗
26 Jun 2023
The Rough Cut: How the Editors Kept Up with “The Flash”original ↗
22 Jun 2023
Insider Tips: Apply a Track Matte to Multiple Layers in After Effectsoriginal ↗
21 Jun 2023
Made in Frame: Julie Cohen and Frank Marshall Create Timely New Documentariesoriginal ↗
19 Jun 2023
Frame.io Welcomes Matt Feury and The Rough Cutoriginal ↗
15 Jun 2023
Insider Tips: Anchor Your Audio with a Gap Clip in Final Cut Prooriginal ↗
14 Jun 2023
Meet Zoe. You know, “the” Zoe.original ↗
12 Jun 2023
Insider Tips: Stretch Out Your Music Tracks in Premiere Prooriginal ↗
7 Jun 2023
Made in Frame: A Full Slate at the 2023 Tribeca Festival!original ↗
5 Jun 2023
Insider Tips: Sync Multi-Camera Footage with DaVinci Resolve’s Sync Binsoriginal ↗
31 May 2023
Can You Really Emulate the Look of Film with a LUT?original ↗
29 May 2023
Insider Tips: Create a Quick Timecode List in Media Composeroriginal ↗
24 May 2023
Get to Grips with Resolve’s Most Important Nodes: Serial, Parallel, and Outsideoriginal ↗
22 May 2023
Insider Tips: Quickly Create Complex Motion Paths in After Effectsoriginal ↗
17 May 2023
Make the Most of Your MOGRTs (Motion Graphics Templates)original ↗
15 May 2023
Insider Tips: Creating an Adjustment Layer for LUTs in Final Cut Prooriginal ↗
10 May 2023
Looking at Virtual Production Through a Cinematographer’s Lensoriginal ↗
8 May 2023
Insider Tips: Use Add Edits for Faster Cuts in Premiere Prooriginal ↗
3 May 2023
How to Fix the Dreaded “Video Look” Using DaVinci Resolveoriginal ↗
1 May 2023
NAB 2023 Wrap: Looking Back and Going Forwardoriginal ↗
27 Apr 2023
Insider Tips: Color Coding is Key to Staying Organized in Media Composeroriginal ↗
26 Apr 2023
Virtual Production—When The Fabelmans Met The Mandalorianoriginal ↗
24 Apr 2023
How to Work With Your Corporate Clients to Craft Powerful Contentoriginal ↗
20 Apr 2023
Insider Tips: See the Invisible with DaVinci Resolve’s A/B Modeoriginal ↗
19 Apr 2023
Speed Up Final Cut Pro with CommandPostoriginal ↗
17 Apr 2023
NAB 2023: Announcing Forensic Watermarkingoriginal ↗
14 Apr 2023
NAB 2023: Professional Photography Unbound with Capture One and C2Coriginal ↗
14 Apr 2023
NAB 2023: Shaping the Future of Photography with Fujifilm and Camera to Cloudoriginal ↗
14 Apr 2023
NAB 2023: Digital, Print, Photo, and Video. All in One Place.original ↗
14 Apr 2023
NAB 2023: One Show, Four Big Announcementsoriginal ↗
13 Apr 2023
Insider Tips: How to Loop a Composition in After Effectsoriginal ↗
12 Apr 2023
A24’s Not-So-Secret Recipe for Successoriginal ↗
11 Apr 2023
An Assistant Editor’s Guide to Syncing Projects in Premiere Prooriginal ↗
10 Apr 2023
Camera to Cloud Webinar: In-Depth Introduction to Frame.io C2Coriginal ↗
6 Apr 2023
Insider Tips: Save Time with Final Cut Pro’s Precision Editororiginal ↗
5 Apr 2023
The Simple Technique for “Cinematic” Color Saturation in DaVinci Resolveoriginal ↗
3 Apr 2023
Made in Frame: Moving a Mountain at The Sundance Film Festivaloriginal ↗
30 Mar 2023
Insider Tips: Three Ways to Manipulate Time in Premiere Prooriginal ↗
29 Mar 2023
Things to Know Before You Create a Game Trailer or Promooriginal ↗
27 Mar 2023
Visit with us at NAB 2023original ↗
21 Mar 2023
What Working on “The Marvelous Mrs. Maisel” Taught Me About the Importance of Eyelinesoriginal ↗
20 Mar 2023
Essential Timeline Techniques for Every Editor in Any NLEoriginal ↗
16 Mar 2023
Our Epic Workflow Breakdown of Every 2023 Oscars Best Picture Nomineeoriginal ↗
12 Mar 2023
What Can We Learn From 2023’s Oscars Cinematography?original ↗
9 Mar 2023
How to Win an Oscar for Best Editing. Maybe.original ↗
6 Mar 2023
Connected Filmmaking Webinar: C2C and the Atomos CONNECT Familyoriginal ↗
2 Mar 2023
The Video Editor’s Guide to the NVIDIA Control Paneloriginal ↗
27 Feb 2023
Clear the Set: How to Go Remote with Virtual Productionoriginal ↗
20 Feb 2023
Our New Program: Camera to Cloud Certifiedoriginal ↗
17 Feb 2023
Cellphone vs. Cinema. How Did We Get Here, and Does It Matter?original ↗
13 Feb 2023
Archiving Your Video Project: What Do You Do When You’re Done?original ↗
6 Feb 2023
Adobe and Frame.io Become Early Adopters of TPN+ Platformoriginal ↗
3 Feb 2023
Editors vs. Viewers: What Can Editors Learn From Their Audience?original ↗
30 Jan 2023
Made in Frame: How “Missing” Builds a Modern Cinematic Languageoriginal ↗
23 Jan 2023
RED In-Camera Integrations: The Next Step in Cloud-First Productionsoriginal ↗
18 Jan 2023
Made in Frame: Where the Global Supply Chain Meets the Content Supply Chainoriginal ↗
16 Jan 2023
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