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2024

Insider Tips: Two Ways to Make After Effects’ UI Easier to Read original ↗

8 May 2024

Frame.io V4 Beta Feature Focus—Fluid Mobile Experience original ↗

7 May 2024

How a Pro Colorist Handles Crushed Blacks in Resolve original ↗

6 May 2024

Cutting with a Katana: Editing FX’s “Shogun”original ↗

2 May 2024

Insider Tips: Use FCP’s Collapse to Connected Storyline original ↗

1 May 2024

Frame.io V4 Beta Feature Focus—Easy Asset Findability original ↗

30 Apr 2024

Five DaVinci Resolve 19 Features I’ll Definitely Be Using original ↗

29 Apr 2024

Preserving Gene Roddenberry’s legacy and history of “Star Trek”original ↗

26 Apr 2024

Best of NAB 2024: The Future of Content Creation with AI original ↗

25 Apr 2024

Insider Tips: Use Search Bins to Stay Organized in Premiere Pro original ↗

24 Apr 2024

Frame.io V4 Beta Feature Focus—Metadata & Collections original ↗

23 Apr 2024

The New Premiere Pro AI Tools I’ll Definitely Be Using original ↗

22 Apr 2024

Talking With the Editor of “Arcadian” Starring Nicolas Cage original ↗

18 Apr 2024

Insider Tips: Work With Photos at Full Resolution in Avid original ↗

17 Apr 2024

The Cinematography of “Dune: Part Two”original ↗

15 Apr 2024

Who You Gonna Call? Editing “Ghostbusters: Frozen Empire”original ↗

11 Apr 2024

Visit us at NAB 2024 original ↗

11 Apr 2024

Insider Tips: How to Use Resolve’s Hidden Edit Overlay original ↗

10 Apr 2024

Frame.io Version 4 Beta is Here original ↗

9 Apr 2024

How to Run an Independent Production Company (Without Selling Out)original ↗

8 Apr 2024

Bar Brawls and Bands: Editing the Action-Packed “Road House”original ↗

4 Apr 2024

Insider Tips: How to Use Essential Properties in After Effects original ↗

3 Apr 2024

Join Our Biggest Announcement Yet original ↗

2 Apr 2024

A New Approach to Grading Color in DaVinci Resolve original ↗

1 Apr 2024

“Stormy”: Examining a Flawed Feminist Icon original ↗

28 Mar 2024

Insider Tips: Edit Faster With Final Cut’s Scrolling Timeline original ↗

27 Mar 2024

Uncovering the Mystery of Editing “True Detective: Night Country”original ↗

21 Mar 2024

Insider Tips: Kickstart Your Premiere Edit with Storyboards original ↗

20 Mar 2024

Enhanced Security, Expanded Workflows, C2C-Enabled Cameras original ↗

20 Mar 2024

Assistant Editing: Getting In (and Getting Out)original ↗

18 Mar 2024

Spicing Up Shakespeare With the Editors of “Anyone But You”original ↗

14 Mar 2024

2024 Oscars: What is the Movie Industry Telling Us?original ↗

11 Mar 2024

The Rough Cut: 2024 Oscars Editing Round Table original ↗

6 Mar 2024

Insider Tips: Easily Fix Color Space Artifacts in Resolve original ↗

6 Mar 2024

The Cinematography of 2024’s Oscars Best Picture Category original ↗

4 Mar 2024

The Rough Cut: Editing Matthew Vaughn’s “Argylle”original ↗

29 Feb 2024

Insider Tips: Repeating Shapes and Layers in After Effects original ↗

28 Feb 2024

Video Bitrates and Export Myths original ↗

26 Feb 2024

Reverse-Engineering Murder: Editing “Anatomy of a Fall”original ↗

22 Feb 2024

Insider Tips: Separate Dialogue with Final Cut Pro’s Audio Notch Filter original ↗

21 Feb 2024

The Descendants: Technology Collapses Time original ↗

19 Feb 2024

The Rough Cut: Cutting the Cocaine Godmother for Netflix’s “Griselda”original ↗

15 Feb 2024

Insider Tips: Move Clips Using Premiere Pro’s Keyboard Shortcuts original ↗

14 Feb 2024

Resolve Color Management vs ACES—Which Should You Choose?original ↗

12 Feb 2024

The Rough Cut: Editing Donald Glover’s “Mr. and Mrs. Smith”original ↗

8 Feb 2024

Insider Tips: Finesse Avid keyframes with effect parameter graphs original ↗

7 Feb 2024

Film Festivals: What Has Changed and What to Expect in 2024 original ↗

6 Feb 2024

Sundance: Frame.io, the Paranormal, and Hometown Heroes original ↗

5 Feb 2024

How to View Vision Pro’s Spatial Video Before You Get Your Headset original ↗

1 Feb 2024

Turn a Project Settings Preset into Resolve’s Default Settings original ↗

31 Jan 2024

A Cloud-Powered Media Workflow for Live Music Events original ↗

29 Jan 2024

The Bear is Back: Editing Seth Macfarlane’s “Ted”original ↗

25 Jan 2024

How to Loop a Video File in After Effects original ↗

24 Jan 2024

Beyond the Bubbles: Designing Text Messages That Keep Audiences Hooked original ↗

22 Jan 2024

Orchestrating Bradley Cooper’s “Maestro”original ↗

18 Jan 2024

Insider Tips: Speed Ramping in Final Cut Pro original ↗

17 Jan 2024

Scalable Virtual Production—Taking a “Just Right” Approach original ↗

15 Jan 2024

VMware by Broadcom Takes Global Content Creation to the Cloud original ↗

11 Jan 2024

Insider Tips: Clean Up Premiere Pro’s Timelines Automatically original ↗

10 Jan 2024

How to Color Manage using Nodes in DaVinci Resolve original ↗

8 Jan 2024

The Rough Cut: Editor Jon Poll on Reimagining “The Color Purple”original ↗

4 Jan 2024

Organize your Avid Media Composer Project by Story Beats original ↗

3 Jan 2024

Our Top 23 Stories for 2023 original ↗

1 Jan 2024

2023

Cutting Satire in Cord Jefferson’s “American Fiction”original ↗

21 Dec 2023

Insider Tips: What are Resolve’s Power Bins? And Where Did They Go?original ↗

20 Dec 2023

Your Friendly Neighborhood MOE: Crafting the End Titles for Marvel’s “Spider-Man 2”original ↗

18 Dec 2023

The Rough Cut: Bringing Yorgos Lanthimos’ “Poor Things” to Life original ↗

14 Dec 2023

Insider Tips: How to Create a Staggered Layer Sequence in After Effects original ↗

13 Dec 2023

Panavision PVintage. Classic Lenses Never Die original ↗

11 Dec 2023

The Rough Cut: Conquering Ridley Scott’s “Napoleon”original ↗

7 Dec 2023

Insider Tips: Should You Use ProRes or H.264 Proxies in Final Cut Pro?original ↗

6 Dec 2023

Set Resolve Up the Right Way with the Color Management Cheat Sheet original ↗

4 Dec 2023

Editing “The Hunger Games: The Ballad of Songbirds and Snakes”original ↗

30 Nov 2023

Insider Tips: Quickly Conform Video for Social Media in Premiere Pro original ↗

29 Nov 2023

Oxcart Assembly Creates a Hella Good Time for AC/DC at Power Trip original ↗

27 Nov 2023

The Rough Cut: Editor Tom Eagles Gets Picked for Team Waititi in “Next Goal Wins”original ↗

23 Nov 2023

Insider Tips: Get Your Avid MediaFiles in Order original ↗

22 Nov 2023

The Cinematographer’s Guide to Wes Anderson’s “Asteroid City”original ↗

20 Nov 2023

The Rough Cut: Telling the True Story of “Killers of the Flower Moon”original ↗

16 Nov 2023

Insider Tips: Protect Your DaVinci Resolve Projects With Data Burn-In original ↗

15 Nov 2023

Art vs. Science. Does Lens Choice Matter as Much as You Think?original ↗

13 Nov 2023

The Rough Cut: Finding Discomfort and Joy in “The Holdovers”original ↗

9 Nov 2023

Insider Tips: Calculate the Perfect Composition Length in After Effects original ↗

8 Nov 2023

How to Use a Color Chart in DaVinci Resolve (and Mistakes You Should Avoid)original ↗

6 Nov 2023

The Rough Cut: Behind the Scenes of Emmy-Nominated “The Last of Us”original ↗

2 Nov 2023

Insider Tips: Using Compound Clips for Audio Reverb original ↗

1 Nov 2023

How Did That Get There? The Origin of the DIT (and DIT Cart)original ↗

30 Oct 2023

The Rough Cut: Bringing Fan-Favorite Jedi “Ahsoka” to Life original ↗

26 Oct 2023

Insider Tips: Get Creative with Premiere Pro Adjustment Layers original ↗

25 Oct 2023

Made in Frame: Let’s Go! will.i.am and J Balvin Get Unreal with Huffman Creative original ↗

23 Oct 2023

The Rough Cut: The Editors Who Found the Spirit of “Reservation Dogs”original ↗

19 Oct 2023

Insider Tips: Create Effects Preset Bins in Avid Media Composer original ↗

18 Oct 2023

How Premiere Pro’s Text-Based Editing Transformed My Filmmaking original ↗

16 Oct 2023

The Rough Cut: Bringing Humanity to AI in Gareth Edwards’ “The Creator”original ↗

12 Oct 2023

Insider Tips: Qualifier Focus is Resolve’s Secret Tool for Skin Tones original ↗

11 Oct 2023

How to Grade Under- and Over-Exposed Footage original ↗

9 Oct 2023

The Rough Cut: Classic Manga Comes to Life in Netflix’s “One Piece”original ↗

5 Oct 2023

Insider Tips: How to Create an Instant Pixelated LCD Effect in After Effects original ↗

4 Oct 2023

The Rough Cut: Lifting the Tension Sky High in the Idris Elba-Led Thriller “Hijack”original ↗

28 Sept 2023

Insider Tips: Make faster edits with Final Cut Pro’s Trim to Playhead original ↗

27 Sept 2023