corpus.blog
56,966 blogs · [ { "id": "01a0c559-0d15-71bb-a455-6d555f28c6bc", "title": "\"Fabrizio, That’s Enough!\" – A Conversation with Guy Maddin", "url": "https://notesoncinematograph.blogspot.com/2026/09/fabrizio-thats-enough-conversation-with.html", "published_at": "2026-09-21T11:35:09+00:00" }, { "id": "01a0bdc7-3482-72fd-bfb0-4dfc45a34146", "title": "Set design reference photos for Wee Willie Winkie (John Ford, 1937)", "url": "https://notesoncinematograph.blogspot.com/2026/09/set-design-reference-photos-for-wee.html", "published_at": "2026-09-14T12:06:47+00:00" }, { "id": "01a08cce-e320-734e-8a86-aca5891d8a3d", "title": "Cinema at 33⅓ RPM: Movie Themes Interpreted by Jazz Musicians", "url": "https://notesoncinematograph.blogspot.com/2026/09/cinema-at-33-rpm-movie-themes.html", "published_at": "2026-09-10T12:12:57+00:00" }, { "id": "01a087b2-b9f6-72da-a3d3-371c9f83567b", "title": "Film review: Everybody Digs Bill Evans", "url": 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"01a087b2-b9f7-723a-ac93-25976ef66543", "title": "\"Red & Black: Hollywood Left and the Blacklist\" Trailer", "url": "https://notesoncinematograph.blogspot.com/2026/07/red-black-hollywood-left-and-blacklist.html", "published_at": "2026-07-07T09:40:43+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5c43810d", "title": "Il Cinema Ritrovato 2026: Favourites & Discoveries Poll", "url": "https://notesoncinematograph.blogspot.com/2026/07/ICR26.html", "published_at": "2026-07-07T08:33:05+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5cd10e77", "title": "Jazz 625: An Illustrated Talk", "url": "https://notesoncinematograph.blogspot.com/2026/06/jazz-625-illustrated-talk.html", "published_at": "2026-06-16T06:59:30+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5d8492ef", "title": "Barbara Stanwyck: Fire and Desire (Richard Schickel, 1991)", "url": "https://notesoncinematograph.blogspot.com/2026/06/barbara-stanwyck-fire-and-desire.html", "published_at": "2026-06-12T11:33:07+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5d882746", "title": "Blur-ray Release of Treasures from the Golestan Film Studio", "url": "https://notesoncinematograph.blogspot.com/2026/06/blur-ray-release-of-treasures-from.html", "published_at": "2026-06-10T11:23:35+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5e406298", "title": "Red & Black: The Hollywood Blacklist Podcast", "url": "https://notesoncinematograph.blogspot.com/2026/06/podcast.html", "published_at": "2026-06-10T08:37:06+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5f1f42fc", "title": "Il Cinema Ritrovato 2026 | The catalogue", "url": "https://notesoncinematograph.blogspot.com/2026/06/il-cinema-ritrovato-2026-catalogue.html", "published_at": "2026-06-09T10:58:16+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb5fe05858", "title": "A Man on the Beach (Joseph Losey, 1955)", "url": "https://notesoncinematograph.blogspot.com/2026/06/Losey.html", "published_at": "2026-06-06T10:57:14+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb6011fa82", "title": "Il Cinema Ritrovato 2026 | Films on Film (16mm & 35mm)", "url": "https://notesoncinematograph.blogspot.com/2026/06/ICR.html", "published_at": "2026-06-05T11:11:39+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb60ddf34f", "title": "Newspaper ad for Secrets of the Jinn Valley Treasure (1974)", "url": "https://notesoncinematograph.blogspot.com/2026/06/Jinn.html", "published_at": "2026-06-05T10:00:00+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb6126497b", "title": "Highlights from Il Cinema Ritrovato XL (Part IV)", "url": "https://notesoncinematograph.blogspot.com/2026/06/highlights-from-il-cinema-ritrovato-xl.html", "published_at": "2026-06-04T14:21:06+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb61c7ac32", "title": "Highlights from Il Cinema Ritrovato XL (Part III)", "url": "https://notesoncinematograph.blogspot.com/2026/06/ICR3.html", "published_at": "2026-06-02T07:30:00+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb62c451f9", "title": "Highlights from Il Cinema Ritrovato XL (Part II)", "url": "https://notesoncinematograph.blogspot.com/2026/05/ICR2.html", "published_at": "2026-06-01T08:00:00+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb638a962b", "title": "Highlights from Il Cinema Ritrovato XL (Part I)", "url": "https://notesoncinematograph.blogspot.com/2026/05/ICR.html", "published_at": "2026-05-31T10:55:09+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb642074ac", "title": "Into the Red River: Adolphe Menjou Turns on John Cromwell", "url": "https://notesoncinematograph.blogspot.com/2026/05/into-red-river-adolphe-menjou-turns-on.html", "published_at": "2026-05-21T11:16:58+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb6422bec7", "title": "Humphrey Bogart: \"I'm No Communist!\"", "url": "https://notesoncinematograph.blogspot.com/2026/05/Bogart.html", "published_at": "2026-05-20T12:47:33+00:00" }, { "id": "01a087b2-b9f8-72bc-a0b1-95bb6438f277", "title": "British Postwar Cinema: Great Expectations at BFI Southbank", "url": "https://notesoncinematograph.blogspot.com/2026/05/British.html", "published_at": "2026-05-15T08:19:24+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e3766cdf", "title": "British Postwar Cinema: Great Expectations at Filmoteca Española", "url": "https://notesoncinematograph.blogspot.com/2026/05/Britfilms.html", "published_at": "2026-05-12T08:48:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e46cc1e0", "title": "A conversation with Henry K Miller about the British postwar cinema season at BFI Southbank", "url": "https://notesoncinematograph.blogspot.com/2026/05/B.html", "published_at": "2026-05-10T08:48:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e51ade5b", "title": "Il Cinema Ritrovato 2026: Easy Living with Mitchell Leisen", "url": "https://notesoncinematograph.blogspot.com/2026/03/il-cinema-ritrovato-2026-american.html", "published_at": "2026-05-09T09:06:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e57b77c9", "title": "Red and Black: Hollywood Left and the Blacklist", "url": "https://notesoncinematograph.blogspot.com/2026/03/red-and-black-hollywood-left-and.html", "published_at": "2026-03-26T13:39:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e5a74bf9", "title": "‘The most culturally Iranian of all Iranians died so far from Iran’: the towering legacy of Bahram Beyzaie", "url": "https://notesoncinematograph.blogspot.com/2025/12/the-most-culturally-iranian-of-all.html", "published_at": "2025-12-29T14:47:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e5d11086", "title": "RIP Bahram Beyzaie (1938-2025)", "url": "https://notesoncinematograph.blogspot.com/2025/12/rip-bahram-beyzaie-1938-2025.html", "published_at": "2025-12-27T18:39:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e63b8bcd", "title": "Ragbar [Downpour] (Bahram Beyzaie, 1972)", "url": "https://notesoncinematograph.blogspot.com/2025/12/ragbar.html", "published_at": "2025-12-27T18:26:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e6f29458", "title": "Ladies in Retirement (Charles Vidor, 1941)", "url": "https://notesoncinematograph.blogspot.com/2025/12/ladies-in-retirement-charles-vidor-1941.html", "published_at": "2025-12-22T14:57:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e7a4dc46", "title": "Masterpieces of the Iranian New Wave, Part II at the Barbican, London", "url": "https://notesoncinematograph.blogspot.com/2025/12/masterpieces-of-iranian-new-wave-part.html", "published_at": "2025-12-21T10:22:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e7c4b211", "title": "Interview with Shadi Abdel Salam", "url": "https://notesoncinematograph.blogspot.com/2025/12/interview-with-shadi-abdel-salam.html", "published_at": "2025-12-20T14:08:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e8b27fc5", "title": "Sight & Sound | The best films of 2025", "url": "https://notesoncinematograph.blogspot.com/2025/12/sight-sound-best-films-of-2025.html", "published_at": "2025-12-20T08:52:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e9116ab4", "title": "Athens Avant-Garde Film Festival | Restored section's introduction and notes", "url": "https://notesoncinematograph.blogspot.com/2025/12/A.html", "published_at": "2025-12-01T15:48:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e9b1456a", "title": "My Sister Eileen (Alexander Hall, 1942)", "url": "https://notesoncinematograph.blogspot.com/2025/11/my-sister-eileen-alexander-hall-1942.html", "published_at": "2025-11-26T18:56:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541e9fc75d8", "title": "None Shall Escape (André De Toth, 1944)", "url": "https://notesoncinematograph.blogspot.com/2025/11/none-shall-escape-andre-de-toth-1944.html", "published_at": "2025-11-25T09:34:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541eabfb9c7", "title": "Arbaeen (Nasser Taghvai, 1970)", "url": "https://notesoncinematograph.blogspot.com/2025/11/Arbaeen.html", "published_at": "2025-11-24T09:00:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ead5b7a7", "title": "Cheshmeh [The Spring] (Arby Ovanessian, 1971)", "url": "https://notesoncinematograph.blogspot.com/2025/11/cheshmeh-spring-arby-ovanessian-1971.html", "published_at": "2025-11-21T10:31:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541eada1f39", "title": "The Spat-on Messenger: Youssef Chahine in Conversation with Tom Luddy", "url": "https://notesoncinematograph.blogspot.com/2020/10/chahine.html", "published_at": "2025-11-20T10:48:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ebaaf136", "title": "Abbas Kiarostami’s Early Shorts and Features: Poetic Solutions to Philosophical Problems", "url": "https://notesoncinematograph.blogspot.com/2025/11/abbas-kiarostamis-early-shorts-and.html", "published_at": "2025-11-18T16:59:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ebc82e00", "title": "The Deep Blue Sea (Anatole Litvak, 1955)", "url": "https://notesoncinematograph.blogspot.com/2024/05/the-deep-blue-sea-anatole-litvak-1955.html", "published_at": "2025-11-18T15:27:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ecbfa276", "title": "The Footage Found Me – Reflections on Celluloid Underground", "url": "https://notesoncinematograph.blogspot.com/2025/11/the-footage-found-me-reflections-on.html", "published_at": "2025-11-13T10:12:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ed3acfda", "title": "Till We Meet Again (Frank Borzage, 1944)", "url": "https://notesoncinematograph.blogspot.com/2025/11/till-we-meet-again-frank-borzage-1944.html", "published_at": "2025-11-11T10:07:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ed3ae22e", "title": "Rouben Mamoulian in/on Mexico", "url": "https://notesoncinematograph.blogspot.com/2025/11/rouben-mamoulian-inon-mexico.html", "published_at": "2025-11-09T10:04:00+00:00" }, { "id": "01a0bdd0-3d44-7389-9974-e541ed4422f1", "title": "Jazz In Exile – Big Ben: Ben Webster in Europe & Cecil Taylor à Paris", "url": "https://notesoncinematograph.blogspot.com/2025/10/exile.html", "published_at": "2025-10-30T12:41:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5f8225cbf", "title": "Jazz on a Summer's Day (Bert Stern, 1959)", "url": "https://notesoncinematograph.blogspot.com/2025/10/Jazz.html", "published_at": "2025-10-30T12:35:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5f840cf02", "title": "Symphony in Black: A Rhapsody of Negro Life (Fred Waller, 1935)", "url": "https://notesoncinematograph.blogspot.com/2025/09/Symphony.html", "published_at": "2025-09-18T09:34:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5f9117c8b", "title": "Jammin' the Blues (Djon Mili, 1944)", "url": "https://notesoncinematograph.blogspot.com/2025/09/jam.html", "published_at": "2025-09-15T09:14:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5f9fef6d9", "title": "The Brave Bulls (Robert Rossen, 1951)", "url": "https://notesoncinematograph.blogspot.com/2025/09/the-brave-bulls-robert-rossen-1951.html", "published_at": "2025-09-10T10:14:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fa8aebe8", "title": "Address Unknown (William Cameron Menzies, 1944)", "url": "https://notesoncinematograph.blogspot.com/2025/09/blog-post.html", "published_at": "2025-09-07T08:04:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fad8c5b5", "title": "The Unknown Brilliance – A conversation about Locarno's British postwar cinema retrospective", "url": "https://notesoncinematograph.blogspot.com/2025/09/British.html", "published_at": "2025-09-02T17:52:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fb0df7e2", "title": "Washington Merry-Go-Round (James Cruze, 1932)", "url": "https://notesoncinematograph.blogspot.com/2025/09/ Cruze.html", "published_at": "2025-09-01T12:34:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fb5e3423", "title": "Let Us Live (John Brahm, 1939)", "url": "https://notesoncinematograph.blogspot.com/2025/08/blog-post.html", "published_at": "2025-08-29T13:44:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fbee04b6", "title": "Abbas Kiarostami's Early Shorts and Features on Criterion Blu-ray", "url": "https://notesoncinematograph.blogspot.com/2025/08/abbas-kiarostamis-early-shorts-and.html", "published_at": "2025-08-19T10:36:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fc2f6c0b", "title": "Three Wise Girls (William Beaudine, 1932)", "url": "https://notesoncinematograph.blogspot.com/2025/07/three-wise-girls-william-beaudine-1932.html", "published_at": "2025-07-29T08:58:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fceb9023", "title": "Kalagh [The Crow] (Bahram Beyzaie, 1977)", "url": "https://notesoncinematograph.blogspot.com/2025/01/blog-post.html", "published_at": "2025-07-28T14:21:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fd27f8d4", "title": "The story of The Movie Orgy as told by Joe Dante to Alex Fitch", "url": "https://notesoncinematograph.blogspot.com/2025/07/the-story-of-movie-orgy-as-told-by-joe.html", "published_at": "2025-07-27T11:05:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fdb7cfca", "title": "Great Expectations at the Cinémathèque suisse [in French]", "url": "https://notesoncinematograph.blogspot.com/2025/07/great-expectations-at-cinematheque.html", "published_at": "2025-07-26T14:48:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5fe2ba6da", "title": "Four Sided Triangle (Terence Fisher, 1953)", "url": "https://notesoncinematograph.blogspot.com/2025/07/four-sided-triangle-terence-fisher-1953.html", "published_at": "2025-07-24T16:53:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5ff0097ee", "title": "Great Expectations: British Postwar Cinema Book", "url": "https://notesoncinematograph.blogspot.com/2025/07/British-book.html", "published_at": "2025-07-11T12:45:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f5ffca7431", "title": "The director who wasn’t there: Mohammad Rasoulof on The Seed of the Sacred Fig", "url": "https://notesoncinematograph.blogspot.com/2025/07/the-director-who-wasnt-there-mohammad.html", "published_at": "2025-07-10T12:57:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f6006126da", "title": "Great Expectations: British Postwar Cinema, 1945-1960", "url": "https://notesoncinematograph.blogspot.com/2025/07/great-expectations-british-postwar.html", "published_at": "2025-07-10T10:12:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f60062016b", "title": "Il Cinema Ritrovato 2025: Favourites & Discoveries", "url": "https://notesoncinematograph.blogspot.com/2025/07/ICR.html", "published_at": "2025-07-03T13:46:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f60085b680", "title": "Katharine Hepburn: All About Me (David Heeley, 1993)", "url": "https://notesoncinematograph.blogspot.com/2025/06/katharine-hepburn-all-about-me-david.html", "published_at": "2025-06-12T14:38:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f601677994", "title": "Il Cinema Ritrovato 2025 | Films on Film", "url": "https://notesoncinematograph.blogspot.com/2025/06/ICR-prints.html", "published_at": "2025-06-06T09:25:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f60235dc5b", "title": "Il Cinema Ritrovato 2025: Twenty Recommendations", "url": "https://notesoncinematograph.blogspot.com/2025/06/il-cinema-ritrovato-2025-twenty.html", "published_at": "2025-06-04T13:24:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f602e5f685", "title": "Safar (Bahram Beyzaie, 1972)", "url": "https://notesoncinematograph.blogspot.com/2025/06/safar.html", "published_at": "2025-06-03T08:03:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f603a5d503", "title": "Online with SFFP—Discussing the Work of Lewis Milestone", "url": "https://notesoncinematograph.blogspot.com/2025/06/online-with-sffpdiscussing-work-of.html", "published_at": "2025-06-01T10:16:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f603d8a723", "title": "Cecil Taylor à Paris (Gérard Patris, 1968)", "url": "https://notesoncinematograph.blogspot.com/2025/05/cecil-taylor-paris-gerard-patris-1968.html", "published_at": "2025-05-23T11:43:00+00:00" }, { "id": "01a0bdd4-1868-7322-9d31-b2f603ff3cb7", "title": "Ida Lupino: The Best of Her Television Work", "url": "https://notesoncinematograph.blogspot.com/2025/05/Lupino.html", "published_at": "2025-05-19T09:45:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994439f0ffc6", "title": "Il Cinema Ritrovato 2025 | Which Films Play in Each Strand", "url": "https://notesoncinematograph.blogspot.com/2025/05/blog-post.html", "published_at": "2025-05-12T20:00:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443a7e051b", "title": "Lewis Milestone Retrospective at Il Cinema Ritrovato 2025", "url": "https://notesoncinematograph.blogspot.com/2025/02/lewis-milestone-retrospective-at-il.html", "published_at": "2025-05-11T09:30:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443a952cef", "title": "Centenary screening of Grass (1925) with live music by Payman Yazdanian", "url": "https://notesoncinematograph.blogspot.com/2025/03/centenary-screening-of-grass-1925-with.html", "published_at": "2025-03-24T14:02:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443b3c9ef1", "title": "British Postwar Cinema: Five Personal Favourites", "url": "https://notesoncinematograph.blogspot.com/2025/03/british-postwar-cinema-five-personal.html", "published_at": "2025-03-22T16:17:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443bb212d2", "title": "​Understanding the Dark Edge: British Postwar Cinema at Locarno – A Conversation", "url": "https://notesoncinematograph.blogspot.com/2025/03/understanding-dark-edge-british-postwar.html", "published_at": "2025-03-13T10:05:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443c6b72fa", "title": "Great Expectations: British Postwar Cinema | Variety Interview", "url": "https://notesoncinematograph.blogspot.com/2025/03/great-expectations-british-postwar.html", "published_at": "2025-03-10T10:48:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443d0a9512", "title": "Me and My Gal (Raoul Walsh, 1932)", "url": "https://notesoncinematograph.blogspot.com/2025/02/me-and-my-gal-raoul-walsh-1932.html", "published_at": "2025-02-24T10:52:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443d5ac3e1", "title": "Demetrius and the Gladiators (Delmer Daves, 1954)", "url": "https://notesoncinematograph.blogspot.com/2025/02/demetrius-and-gladiators-delmer-daves.html", "published_at": "2025-02-20T12:56:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443d9c3b41", "title": "How to Make Use of Leisure Time: Painting – A Film NOT by Abbas Kiarostami", "url": "https://notesoncinematograph.blogspot.com/2025/02/Leisure.html", "published_at": "2025-02-19T14:12:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443e6cffd6", "title": "Merrily We Go to Hell (Dorothy Arzner, 1932)", "url": "https://notesoncinematograph.blogspot.com/2020/04/merrily-we-go-to-hell.html", "published_at": "2025-01-28T19:38:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443e9c66da", "title": "Ebrahim Golestan and the Restoration of Iran’s Cinematic Heritage [A free evening of film and discussion at V&A]", "url": "https://notesoncinematograph.blogspot.com/2025/01/ebrahim-golestan-and-restoration-of.html", "published_at": "2025-01-20T17:51:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443eaf56d0", "title": "La dama de la antorcha. 100 años de Columbia Pictures", "url": "https://notesoncinematograph.blogspot.com/2024/12/la-dama-de-la-antorcha-100-anos-de.html", "published_at": "2024-12-28T13:31:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443f199e94", "title": "Anatomy of a Murder (Otto Preminger, 1959)", "url": "https://notesoncinematograph.blogspot.com/2021/05/anatomy.html", "published_at": "2024-11-07T14:00:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443fc8c106", "title": "Cinema is a Machine of Empathy", "url": "https://notesoncinematograph.blogspot.com/2024/11/blog-post.html", "published_at": "2024-11-02T19:01:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99443fe64e0a", "title": "London Jazz Festival | Jazz on Screen: Symphonies in Black – Duke Ellington Shorts", "url": "https://notesoncinematograph.blogspot.com/2024/11/duke-shorts.html", "published_at": "2024-11-02T11:52:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994440333d1e", "title": "The Brighton Strangler | Screening Announcement", "url": "https://notesoncinematograph.blogspot.com/2024/10/blog-post.html", "published_at": "2024-10-29T13:07:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994440b7c21d", "title": "The House is Black (Forough Farrokhzad, 1962)", "url": "https://notesoncinematograph.blogspot.com/2024/10/the-house-is-black-forough-farrokhzad.html", "published_at": "2024-10-16T15:19:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-99444197e927", "title": "Far From Home (Sohrab Shahid Saless, 1975)", "url": "https://notesoncinematograph.blogspot.com/2024/10/far-from-home-sohrab-shahid-saless-1975.html", "published_at": "2024-10-16T15:14:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994441ca4e51", "title": "Experience (Abbas Kiarostami, 1973)", "url": "https://notesoncinematograph.blogspot.com/2024/10/experience-abbas-kiarostami-1973.html", "published_at": "2024-10-16T15:10:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-9944424cd916", "title": "The Stranger and the Fog (Bahram Beyzaie, 1974)", "url": "https://notesoncinematograph.blogspot.com/2024/10/the-stranger-and-fog-bahram-beyzaie-1974.html", "published_at": "2024-10-16T15:02:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994442bb0bfb", "title": "The Crown Jewels of Iran (Ebrahim Golestan, 1965) | MoMA", "url": "https://notesoncinematograph.blogspot.com/2024/10/the-crown-jewels-of-iran-ebrahim.html", "published_at": "2024-10-16T14:59:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-994443431603", "title": "Chess of the Wind (Mohammad Reza Aslani, 1976)", "url": "https://notesoncinematograph.blogspot.com/2024/10/chess-of-wind-mohammad-reza-aslani-1976.html", "published_at": "2024-10-16T14:53:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-9944437efe46", "title": "Brick and Mirror (Ebrahim Golestan, 1964)", "url": "https://notesoncinematograph.blogspot.com/2024/10/brick-and-mirror-ebrahim-golestan-1964.html", "published_at": "2024-10-16T14:49:00+00:00" }, { "id": "01a0bdd7-6a90-7154-aab3-9944445bc4d7", "title": "Bonbast [Dead End] (Parviz Sayyad, 1977)", "url": "https://notesoncinematograph.blogspot.com/2024/09/bonbast.html", "published_at": "2024-09-03T09:04:00+00:00" } ] posts Claim your blog
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2026

"Fabrizio, That’s Enough!" – A Conversation with Guy Maddinoriginal ↗
21 Sept 2026
Set design reference photos for Wee Willie Winkie (John Ford, 1937)original ↗
14 Sept 2026
Cinema at 33⅓ RPM: Movie Themes Interpreted by Jazz Musiciansoriginal ↗
10 Sept 2026
Film review: Everybody Digs Bill Evansoriginal ↗
7 Sept 2026
The Hollywood Left and the Blacklist: A Chat With the Curator of Locarno’s Timely Retrospective for the Age of Trump & Co.original ↗
31 Jul 2026
A Viewer's Guide to the Locarno Film Festival's Hollywood Left and the Blacklist Retrospectiveoriginal ↗
25 Jul 2026
Debris, Heartbreak, Unhealed Wounds: The Legacy of the Hollywood Blacklistoriginal ↗
14 Jul 2026
Like a Hunter at Night: Programming for Il Cinema Ritrovatooriginal ↗
12 Jul 2026
Red & Black (2026) | New book on Hollywood blacklistoriginal ↗
11 Jul 2026
Full Line-up: Hollywood Blacklist Retrospective at Locarnooriginal ↗
10 Jul 2026
RIP Tony Raynsoriginal ↗
8 Jul 2026
"Red & Black: Hollywood Left and the Blacklist" Traileroriginal ↗
7 Jul 2026
Il Cinema Ritrovato 2026: Favourites & Discoveries Polloriginal ↗
7 Jul 2026
Jazz 625: An Illustrated Talkoriginal ↗
16 Jun 2026
Barbara Stanwyck: Fire and Desire (Richard Schickel, 1991)original ↗
12 Jun 2026
Blur-ray Release of Treasures from the Golestan Film Studiooriginal ↗
10 Jun 2026
Red & Black: The Hollywood Blacklist Podcastoriginal ↗
10 Jun 2026
Il Cinema Ritrovato 2026 | The catalogueoriginal ↗
9 Jun 2026
A Man on the Beach (Joseph Losey, 1955)original ↗
6 Jun 2026
Il Cinema Ritrovato 2026 | Films on Film (16mm & 35mm)original ↗
5 Jun 2026
Newspaper ad for Secrets of the Jinn Valley Treasure (1974)original ↗
5 Jun 2026
Highlights from Il Cinema Ritrovato XL (Part IV)original ↗
4 Jun 2026
Highlights from Il Cinema Ritrovato XL (Part III)original ↗
2 Jun 2026
Highlights from Il Cinema Ritrovato XL (Part II)original ↗
1 Jun 2026
Highlights from Il Cinema Ritrovato XL (Part I)original ↗
31 May 2026
Into the Red River: Adolphe Menjou Turns on John Cromwelloriginal ↗
21 May 2026
Humphrey Bogart: "I'm No Communist!"original ↗
20 May 2026
British Postwar Cinema: Great Expectations at BFI Southbankoriginal ↗
15 May 2026
British Postwar Cinema: Great Expectations at Filmoteca Españolaoriginal ↗
12 May 2026
A conversation with Henry K Miller about the British postwar cinema season at BFI Southbankoriginal ↗
10 May 2026
Il Cinema Ritrovato 2026: Easy Living with Mitchell Leisenoriginal ↗
9 May 2026
Red and Black: Hollywood Left and the Blacklistoriginal ↗
26 Mar 2026

2025

‘The most culturally Iranian of all Iranians died so far from Iran’: the towering legacy of Bahram Beyzaieoriginal ↗
29 Dec 2025
RIP Bahram Beyzaie (1938-2025)original ↗
27 Dec 2025
Ragbar [Downpour] (Bahram Beyzaie, 1972)original ↗
27 Dec 2025
Ladies in Retirement (Charles Vidor, 1941)original ↗
22 Dec 2025
Masterpieces of the Iranian New Wave, Part II at the Barbican, Londonoriginal ↗
21 Dec 2025
Interview with Shadi Abdel Salamoriginal ↗
20 Dec 2025
Sight & Sound | The best films of 2025original ↗
20 Dec 2025
Athens Avant-Garde Film Festival | Restored section's introduction and notesoriginal ↗
1 Dec 2025
My Sister Eileen (Alexander Hall, 1942)original ↗
26 Nov 2025
None Shall Escape (André De Toth, 1944)original ↗
25 Nov 2025
Arbaeen (Nasser Taghvai, 1970)original ↗
24 Nov 2025
Cheshmeh [The Spring] (Arby Ovanessian, 1971)original ↗
21 Nov 2025
The Spat-on Messenger: Youssef Chahine in Conversation with Tom Luddyoriginal ↗
20 Nov 2025
Abbas Kiarostami’s Early Shorts and Features: Poetic Solutions to Philosophical Problemsoriginal ↗
18 Nov 2025
The Deep Blue Sea (Anatole Litvak, 1955)original ↗
18 Nov 2025
The Footage Found Me – Reflections on Celluloid Undergroundoriginal ↗
13 Nov 2025
Till We Meet Again (Frank Borzage, 1944)original ↗
11 Nov 2025
Rouben Mamoulian in/on Mexicooriginal ↗
9 Nov 2025
Jazz In Exile – Big Ben: Ben Webster in Europe & Cecil Taylor à Parisoriginal ↗
30 Oct 2025
Jazz on a Summer's Day (Bert Stern, 1959)original ↗
30 Oct 2025
Symphony in Black: A Rhapsody of Negro Life (Fred Waller, 1935)original ↗
18 Sept 2025
Jammin' the Blues (Djon Mili, 1944)original ↗
15 Sept 2025
The Brave Bulls (Robert Rossen, 1951)original ↗
10 Sept 2025
Address Unknown (William Cameron Menzies, 1944)original ↗
7 Sept 2025
The Unknown Brilliance – A conversation about Locarno's British postwar cinema retrospectiveoriginal ↗
2 Sept 2025
Washington Merry-Go-Round (James Cruze, 1932)original ↗
1 Sept 2025
Let Us Live (John Brahm, 1939)original ↗
29 Aug 2025
Abbas Kiarostami's Early Shorts and Features on Criterion Blu-rayoriginal ↗
19 Aug 2025
Three Wise Girls (William Beaudine, 1932)original ↗
29 Jul 2025
Kalagh [The Crow] (Bahram Beyzaie, 1977)original ↗
28 Jul 2025
The story of The Movie Orgy as told by Joe Dante to Alex Fitchoriginal ↗
27 Jul 2025
Great Expectations at the Cinémathèque suisse [in French]original ↗
26 Jul 2025
Four Sided Triangle (Terence Fisher, 1953)original ↗
24 Jul 2025
Great Expectations: British Postwar Cinema Bookoriginal ↗
11 Jul 2025
The director who wasn’t there: Mohammad Rasoulof on The Seed of the Sacred Figoriginal ↗
10 Jul 2025
Great Expectations: British Postwar Cinema, 1945-1960original ↗
10 Jul 2025
Il Cinema Ritrovato 2025: Favourites & Discoveriesoriginal ↗
3 Jul 2025
Katharine Hepburn: All About Me (David Heeley, 1993)original ↗
12 Jun 2025
Il Cinema Ritrovato 2025 | Films on Filmoriginal ↗
6 Jun 2025
Il Cinema Ritrovato 2025: Twenty Recommendationsoriginal ↗
4 Jun 2025
Safar (Bahram Beyzaie, 1972)original ↗
3 Jun 2025
Online with SFFP—Discussing the Work of Lewis Milestoneoriginal ↗
1 Jun 2025
Cecil Taylor à Paris (Gérard Patris, 1968)original ↗
23 May 2025
Ida Lupino: The Best of Her Television Workoriginal ↗
19 May 2025
Il Cinema Ritrovato 2025 | Which Films Play in Each Strandoriginal ↗
12 May 2025
Lewis Milestone Retrospective at Il Cinema Ritrovato 2025original ↗
11 May 2025
Centenary screening of Grass (1925) with live music by Payman Yazdanianoriginal ↗
24 Mar 2025
British Postwar Cinema: Five Personal Favouritesoriginal ↗
22 Mar 2025
​Understanding the Dark Edge: British Postwar Cinema at Locarno – A Conversationoriginal ↗
13 Mar 2025
Great Expectations: British Postwar Cinema | Variety Intervieworiginal ↗
10 Mar 2025
Me and My Gal (Raoul Walsh, 1932)original ↗
24 Feb 2025
Demetrius and the Gladiators (Delmer Daves, 1954)original ↗
20 Feb 2025
How to Make Use of Leisure Time: Painting – A Film NOT by Abbas Kiarostamioriginal ↗
19 Feb 2025
Merrily We Go to Hell (Dorothy Arzner, 1932)original ↗
28 Jan 2025
Ebrahim Golestan and the Restoration of Iran’s Cinematic Heritage [A free evening of film and discussion at V&A]original ↗
20 Jan 2025

2024

La dama de la antorcha. 100 años de Columbia Picturesoriginal ↗
28 Dec 2024
Anatomy of a Murder (Otto Preminger, 1959)original ↗
7 Nov 2024
Cinema is a Machine of Empathyoriginal ↗
2 Nov 2024
London Jazz Festival | Jazz on Screen: Symphonies in Black – Duke Ellington Shortsoriginal ↗
2 Nov 2024
The Brighton Strangler | Screening Announcementoriginal ↗
29 Oct 2024
The House is Black (Forough Farrokhzad, 1962)original ↗
16 Oct 2024
Far From Home (Sohrab Shahid Saless, 1975)original ↗
16 Oct 2024
Experience (Abbas Kiarostami, 1973)original ↗
16 Oct 2024
The Stranger and the Fog (Bahram Beyzaie, 1974)original ↗
16 Oct 2024
The Crown Jewels of Iran (Ebrahim Golestan, 1965) | MoMAoriginal ↗
16 Oct 2024
Chess of the Wind (Mohammad Reza Aslani, 1976)original ↗
16 Oct 2024
Brick and Mirror (Ebrahim Golestan, 1964)original ↗
16 Oct 2024
Bonbast [Dead End] (Parviz Sayyad, 1977)original ↗
3 Sept 2024
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