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2026

Global recorded music revenues up 9.4% in 2025original ↗
16 Mar 2026
The problem with contentoriginal ↗
3 Feb 2026
Why the music industry needs to learn to live with AIoriginal ↗
30 Jan 2026

2025

Karra, bifurcation and YouTube’s gainoriginal ↗
9 Sept 2025
MIDiA’s 2025 independent label surveyoriginal ↗
29 Aug 2025
The unflattening of streaming (and the case for friction)original ↗
21 Aug 2025
MIDiA Research 2025-2032 global music forecasts | Recalibrationoriginal ↗
1 Jul 2025
Streaming is both retail and radio. It shouldn’t beoriginal ↗
26 Jun 2025
AI futures: Culture warsoriginal ↗
5 Jun 2025
The new soft power and its hidden rulesoriginal ↗
15 May 2025
Unintended consequences – the year ahead for streamingoriginal ↗
9 May 2025
Are we reaching peak fandom?original ↗
1 May 2025
Music subscriber market shares 2024: Slowdown? What slowdown?original ↗
27 Mar 2025
A model for a new streaming industryoriginal ↗
18 Mar 2025
Recorded music market 2024: $36.2 billion, up 6.5%original ↗
13 Mar 2025
Craft versus character: the equation the music industry needs to fixoriginal ↗
19 Feb 2025
The unflattening of musicoriginal ↗
30 Jan 2025
How Spotify built a new business, and what comes nextoriginal ↗
17 Jan 2025

2024

Anti-algorithm, anti-perfection – the rise of a music counter-cultureoriginal ↗
18 Dec 2024
The MIDiA 2025 predictions webinaroriginal ↗
28 Nov 2024
Stick or twist time – streaming’s innovation dilemmaoriginal ↗
20 Nov 2024
Independent music market sharesGlobal : Fragmentation AND consolidationoriginal ↗
31 Oct 2024
Beyond the obvious: Building future-focused strategyoriginal ↗
11 Oct 2024
Music creator economy: recalibrationoriginal ↗
26 Sept 2024
Q2 2024 music market metrics: bifurcation is hereoriginal ↗
19 Sept 2024
Music publishing forecasts: strong growth and more to comeoriginal ↗
15 Aug 2024
The frequency factor – when daily just isn’t enoughoriginal ↗
22 Jul 2024
Music isn’t getting worse, genre isoriginal ↗
10 Jul 2024
Mainstream is the new nicheoriginal ↗
14 Jun 2024
MIDiA Research 2024-2031 global music forecasts | Rise of the Global Southoriginal ↗
23 May 2024
Electronic music, fandom, and the rise of the Global Southoriginal ↗
9 May 2024
Bifurcation theory | How today’s music business will become twooriginal ↗
18 Apr 2024
Can’t cross the moat? Walk around itoriginal ↗
12 Apr 2024
Fan economy: expanded rights are worth $3.5 billion, now what?original ↗
3 Apr 2024
Global recorded music revenues grew by 9.8% in 2023original ↗
18 Mar 2024
MIDiA independent label and distributor surveyoriginal ↗
14 Mar 2024
Music creators – take our survey!original ↗
21 Feb 2024
Music subscriber market shares 2023: New momentumoriginal ↗
8 Feb 2024

2023

MIDiA’s 2024 predictions: The algorithm is not listeningoriginal ↗
18 Dec 2023
State of the music creator economy – The consumer era original ↗
14 Dec 2023
Spotify re-positions two-tier licensing (we are getting closer, and it can be even better)original ↗
24 Nov 2023
Why artist subscriptions are the perfect partner to two-tier licensingoriginal ↗
2 Nov 2023
Two-tier licensing is about to become a reality original ↗
24 Oct 2023
Music has become a ‘just-in-time’ economyoriginal ↗
16 Oct 2023
Spotify’s audiobooks move is another brick in the audio walloriginal ↗
4 Oct 2023
Streaming’s problems will not be fixed by royalties aloneoriginal ↗
15 Sept 2023
How to make artist centric artist centricoriginal ↗
6 Sept 2023
AI, music rights, and known unknownsoriginal ↗
31 Aug 2023
Super fans may not be super enoughoriginal ↗
4 Aug 2023
Making sense of global music forecastsoriginal ↗
20 Jul 2023
The music industry’s tipping point is Right Here, Right Noworiginal ↗
29 Jun 2023
Apple’s Vision Pro is about a better today rather than a shinier tomorroworiginal ↗
6 Jun 2023
AI will unlock creation rather than consumptionoriginal ↗
25 May 2023
The global dance music industry grew by 34% in 2022original ↗
11 May 2023
AI will transform music; the question is how?original ↗
18 Apr 2023
Music fandom’s problem is TV’s opportunity original ↗
30 Mar 2023
Recorded music market 2022 | Reality bitesoriginal ↗
16 Mar 2023
Music creators and independent labels – have your voice heard!original ↗
23 Feb 2023
Filling music streaming’s Disney+-shaped holeoriginal ↗
21 Feb 2023
Independent labels and distributors: take our survey!original ↗
13 Feb 2023
Everyone hurts – the problem with ‘fixing’ streamingoriginal ↗
6 Feb 2023
Take part in MIDiA’s music creator surveyoriginal ↗
1 Feb 2023
Has the streaming slowdown arrived?original ↗
10 Jan 2023
MIDiA 2023 predictions webinaroriginal ↗
5 Jan 2023

2022

Music industry revenues in review – what 2022 tells us about 2023original ↗
15 Dec 2022
Music subscriber market shares 2022original ↗
7 Dec 2022
Will the recession change Big Tech’s view on entertainment?original ↗
25 Nov 2022
Artists – take our survey and get a free MIDiA reportoriginal ↗
15 Nov 2022
The coming long-tail culloriginal ↗
8 Nov 2022
Why Amazon Music is primed for successoriginal ↗
1 Nov 2022
The music industry needs a new formatoriginal ↗
20 Oct 2022
TikTok Music could change the gameoriginal ↗
14 Oct 2022
Label executives: take this survey and receive a free MIDiA reportoriginal ↗
12 Oct 2022
The creator economy’s post-lockdown growthoriginal ↗
6 Oct 2022
Time to jump off the algorithm highwayoriginal ↗
30 Sept 2022
WMG is moving beyond superstars – and that is a good thingoriginal ↗
16 Sept 2022
C.R.E.A.T.E. An entertainment manifestooriginal ↗
12 Sept 2022
Web 3.0 is a lane, not a highwayoriginal ↗
2 Sept 2022
This is not a bliporiginal ↗
26 Aug 2022
Re-creating the creator economyoriginal ↗
18 Aug 2022
The attention recession meets the economic recessionoriginal ↗
22 Jul 2022
MIDiA music forecasts: the new era of growthoriginal ↗
14 Jul 2022
How (and why) Billie Eilish won Glastonburyoriginal ↗
6 Jul 2022
Churn in the era of dynamic retentionoriginal ↗
24 Jun 2022
Why Spotify’s TAM is only part of the storyoriginal ↗
9 Jun 2022
The Attention Recession: How inflation and the pandemic are reshaping entertainmentoriginal ↗
25 May 2022
How iPod changed everythingoriginal ↗
11 May 2022
Music industry earnings 2021: Riding the waveoriginal ↗
6 May 2022
The attention recession has hit Spotify toooriginal ↗
27 Apr 2022
Forget peak Netflix, this is the attention recessionoriginal ↗
20 Apr 2022
Fake artists are what happens when fandom diesoriginal ↗
7 Apr 2022
Did independents really do three times worse than the majors in 2021?original ↗
22 Mar 2022
Recorded music market shares 2021 – Red letter yearoriginal ↗
18 Mar 2022
Why Dolly Parton may want to wait before selling her catalogueoriginal ↗
10 Mar 2022
Epic Games, Bandcamp, and fandom for the ‘me’ generationoriginal ↗
3 Mar 2022
Music creators – we want your insight!original ↗
22 Feb 2022
Artists Survey 2022 – MIDiA asks music creators: how will you grow your audiences, earnings and career?original ↗
10 Feb 2022
Why Spotify cannot afford to make it three out of three with podcastsoriginal ↗
10 Feb 2022
From binging to burnout: the creator economy’s fault lineoriginal ↗
8 Feb 2022
Spotify chose audio over music, but bigger decisions lie aheadoriginal ↗
27 Jan 2022
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