41554 blogs · [ { "id": "01a0d9b0-8d15-717e-a5ee-c683330f51b2", "title": "Scene pace, urgency, momentum and tension: Why they’re different", "url": "https://www.louiseharnbyproofreader.com/blog/scene-pace-urgency-momentum-and-tension-why-theyre-different", "published_at": "2026-09-22T04:00:00+00:00" }, { "id": "01a0bb4f-5717-7051-a648-ac919fba7f32", "title": "Think you’re not wired for fiction editing? Think again", "url": "https://www.louiseharnbyproofreader.com/blog/think-youre-not-wired-for-fiction-editing-think-again", "published_at": "2026-09-17T12:26:37+00:00" }, { "id": "01a0879c-a3bd-7346-a9bc-59be3168847a", "title": "What are pressure points in crime, mystery and thriller fiction?", "url": "https://www.louiseharnbyproofreader.com/blog/what-are-pressure-points-in-crime-mystery-and-thriller-fiction", "published_at": "2026-09-01T07:30:00+00:00" }, { "id": "01a0879c-a3bd-7346-a9bc-59be318a1d45", "title": "Earned knowledge: How to control a restricted viewpoint in crime fiction and thrillers", "url": "https://www.louiseharnbyproofreader.com/blog/earned-knowledge-how-to-control-a-restricted-viewpoint-in-crime-fiction-and-thrillers", "published_at": "2026-08-10T07:30:00+00:00" }, { "id": "01a0879c-a3bd-7346-a9bc-59be326706c1", "title": "Shared ignorance: The hidden engine of suspense", "url": 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"https://www.louiseharnbyproofreader.com/blog/5-tips-on-how-to-introduce-backstory-to-crime-fiction", "published_at": "2025-06-16T16:00:01+00:00" }, { "id": "01a0879c-a3bd-7346-a9bc-59be3dc60ecf", "title": "How to use an editorial marketing buddy to conquer overwhelm", "url": "https://www.louiseharnbyproofreader.com/blog/how-to-use-a-marketing-buddy-in-your-editing-business", "published_at": "2024-09-28T23:00:00+00:00" }, { "id": "01a0879c-a3bd-7346-a9bc-59be3e06ef8f", "title": "Human vs AI: How editors and proofreaders can remain relevant", "url": "https://www.louiseharnbyproofreader.com/blog/human-vs-ai-how-editors-and-proofreaders-can-remain-relevant", "published_at": "2024-08-07T00:00:00+00:00" } ] posts Claim your blog
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