56,966 blogs · [ { "id": "01a0e7b9-8bef-704e-9fdc-159526c14901", "title": "EMMYS WATCH 2026 — “Can We Talk”: Hacks, Woman-Centered Community, and the Stand-Up Love Story We—Well, I—Needed", "url": "http://henryjenkins.org/blog/2026/9/12/emmys-watch-2026-can-we-talk-hacks", "published_at": "2026-09-13T06:33:58+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-1595279ac1ef", "title": "EMMYS WATCH 2026 — ‘Rich People are like, So Gross’: Screening SoCal Class Consciousness in Beef and Margot’s Got Money Troubles", "url": "http://henryjenkins.org/blog/2026/9/12/emmys-watch-2026-rich-people-are-like-so-gross-screening-socal-class-consciousness-in-beef-and-margots-got-money-troubles", "published_at": "2026-09-12T07:18:03+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-1595287f93a7", "title": "EMMYS WATCH 2026 — From the Disruptors to the Establishment: How Five Aging Reality TV Franchises Take Different Approaches to Brand Management", "url": "http://henryjenkins.org/blog/2026/9/11/emmys-watch-2026-from-the-disruptors-to-the-establishment-five-reality-tv-franchises", "published_at": "2026-09-11T09:30:33+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-1595292ab277", "title": "EMMYS WATCH 2026 — DTF St. Louis: Scrutiny, Intimacy, and ‘Positive’ Masculinity", "url": "http://henryjenkins.org/blog/2026/9/10/dtf-st-louis-scrutiny-intimacy-and-positive-masculinity", "published_at": "2026-09-10T12:28:30+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952a16b386", "title": "Where Are the Hypertexts Now? Mark Bernstein on Storyspace, Eastgate, AI, and the Future of Electronic Literature", "url": "http://henryjenkins.org/blog/2026/9/2/mark-bernstein-where-are-the-hypertexts-now", "published_at": "2026-09-02T10:28:50+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952a8e43da", "title": "Inhabited Narrative: From Participatory Culture to Living Storyworlds", "url": "http://henryjenkins.org/blog/2026/8/3/inhabited-narrative-from-participatory-culture-to-living-storyworlds", "published_at": "2026-08-03T10:17:39+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952a991702", "title": "Foreword: Feminism with a Dance Beat!", "url": "http://henryjenkins.org/blog/2026/5/20/foreword-feminism-with-a-dance-beat", "published_at": "2026-05-21T03:33:48+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952adcdb23", "title": "Interactive Narratives and Meaningful Design: An Interview with Hartmut Koenitz", "url": "http://henryjenkins.org/blog/2026/4/28/interactive-narratives-and-meaningful-design-interview-hartmut-koenitz", "published_at": "2026-04-29T09:53:23+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952b9f8015", "title": "The WAG Pipeline: Building the World and the Audience Before You Build the Game", "url": "http://henryjenkins.org/blog/2026/3/23/the-wag-pipeline-building-the-world-and-the-audience-before-you-build-the-game", "published_at": "2026-03-23T21:42:55+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952ba2b4ec", "title": "OSCARS WATCH 2026—“Some Achieve Greatness”: Shakespeare, the Prestige Mediator in 'Hamnet'", "url": "http://henryjenkins.org/blog/2026/3/14/oscars-watch-2026-some-achieve-greatness-shakespeare-the-prestige-mediator-in-hamnet", "published_at": "2026-03-14T09:01:50+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952bf4c68f", "title": "OSCARS WATCH 2026—One Allusion After Another: Paul Thomas Anderson as Cinephile and Curator in ‘One Battle After Another’", "url": "http://henryjenkins.org/blog/2026/3/13/oscars-watch-2026-one-allusion-after-another-paul-thomas-anderson-as-cinephile-and-curator-in-one-battle-after-another", "published_at": "2026-03-13T19:34:31+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952c7d6789", "title": "OSCARS WATCH 2026—It’s Not an Accident: Restrictions Informing Stylistic Choices in Jafar Panahi’s 'It Was Just an Accident'", "url": "http://henryjenkins.org/blog/2026/3/12/oscars-watch-2026-its-not-an-accident-restrictions-informing-stylistic-choices-in-jafar-panahis-it-was-just-an-accident", "published_at": "2026-03-12T08:56:04+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952c86a66f", "title": "OSCARS WATCH 2026—'F1' and Persisting Assumptions of Quality", "url": "http://henryjenkins.org/blog/2026/3/11/oscars-watch-2026-f1-and-persisting-assumptions-of-quality", "published_at": "2026-03-11T11:37:25+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952d78f5a2", "title": "OSCARS WATCH 2026—Thoughts on the Oscars from Someone Who Wrote a Book About Them", "url": "http://henryjenkins.org/blog/2026/3/10/oscars-watch-2026-thoughts-on-the-oscars-from-someone-who-wrote-a-book-about-them", "published_at": "2026-03-10T20:43:59+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952e3a1761", "title": "GLOBAL GENRES—Genre Mixing and Spatiality in Twilight of the Warriors: Walled In", "url": "http://henryjenkins.org/blog/2026/3/2/global-genres-genre-mixing-and-spatiality-in-twilight-of-the-warriors-walled-in", "published_at": "2026-03-02T20:39:41+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952e718464", "title": "GLOBAL GENRES—In the Light of Guilt: Transnational Noir and Moral Ambiguity in Erik Skjoldbjærg’s Insomnia", "url": "http://henryjenkins.org/blog/2026/2/28/global-genres-in-the-light-of-guilt-transnational-noir-and-moral-ambiguity-in-erik-skjoldbjrgs-insomnia", "published_at": "2026-02-28T10:49:13+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952f56fffa", "title": "GLOBAL GENRES—Don’t Go In There! Creepy and Generic Compulsion", "url": "http://henryjenkins.org/blog/2026/2/26/dont-go-in-there-creepy-and-generic-compulsion", "published_at": "2026-02-26T09:08:11+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-15952f89d37f", "title": "GLOBAL GENRES—Thinking about Genre: What Makes a Movie “Religious”?", "url": "http://henryjenkins.org/blog/2026/2/24/global-genres-thinking-about-genre-what-makes-a-movie-religious", "published_at": "2026-02-23T20:18:21+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-1595307c8741", "title": "GLOBAL GENRES—My Whole Bloody Affair: Why Kill Bill Vol. 1 is Punker than Kill Bill Vol. 2", "url": "http://henryjenkins.org/blog/2026/2/21/global-genresmy-whole-bloody-affair-why-kill-bill-vol-1-is-punker-than-kill-bill-vol-2", "published_at": "2026-02-21T08:54:40+00:00" }, { "id": "01a0e7b9-8bef-704e-9fdc-1595312461e7", "title": "GLOBAL GENRES—Kaiju Connections: Disabled Ecologies, Visibility, the Posthuman, and Transnationality in Pacific Rim", "url": "http://henryjenkins.org/blog/2026/2/18/global-genres-kaiju-connections-disabled-ecologies-visibility-the-posthuman-and-transnationality-in-pacific-rim", "published_at": "2026-02-18T08:21:04+00:00" } ] posts Claim your blog

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2026

EMMYS WATCH 2026 — “Can We Talk”: Hacks, Woman-Centered Community, and the Stand-Up Love Story We—Well, I—Needed original ↗

13 Sept 2026

EMMYS WATCH 2026 — ‘Rich People are like, So Gross’: Screening SoCal Class Consciousness in Beef and Margot’s Got Money Troubles original ↗

12 Sept 2026

EMMYS WATCH 2026 — From the Disruptors to the Establishment: How Five Aging Reality TV Franchises Take Different Approaches to Brand Management original ↗

11 Sept 2026

EMMYS WATCH 2026 — DTF St. Louis: Scrutiny, Intimacy, and ‘Positive’ Masculinity original ↗

10 Sept 2026

Where Are the Hypertexts Now? Mark Bernstein on Storyspace, Eastgate, AI, and the Future of Electronic Literature original ↗

2 Sept 2026

Inhabited Narrative: From Participatory Culture to Living Storyworlds original ↗

3 Aug 2026

Foreword: Feminism with a Dance Beat!original ↗

21 May 2026

Interactive Narratives and Meaningful Design: An Interview with Hartmut Koenitz original ↗

29 Apr 2026

The WAG Pipeline: Building the World and the Audience Before You Build the Game original ↗

23 Mar 2026

OSCARS WATCH 2026—“Some Achieve Greatness”: Shakespeare, the Prestige Mediator in 'Hamnet'original ↗

14 Mar 2026

OSCARS WATCH 2026—One Allusion After Another: Paul Thomas Anderson as Cinephile and Curator in ‘One Battle After Another’original ↗

13 Mar 2026

OSCARS WATCH 2026—It’s Not an Accident: Restrictions Informing Stylistic Choices in Jafar Panahi’s 'It Was Just an Accident'original ↗

12 Mar 2026

OSCARS WATCH 2026—'F1' and Persisting Assumptions of Quality original ↗

11 Mar 2026

OSCARS WATCH 2026—Thoughts on the Oscars from Someone Who Wrote a Book About Them original ↗

10 Mar 2026

GLOBAL GENRES—Genre Mixing and Spatiality in Twilight of the Warriors: Walled In original ↗

2 Mar 2026

GLOBAL GENRES—In the Light of Guilt: Transnational Noir and Moral Ambiguity in Erik Skjoldbjærg’s Insomnia original ↗

28 Feb 2026

GLOBAL GENRES—Don’t Go In There! Creepy and Generic Compulsion original ↗

26 Feb 2026

GLOBAL GENRES—Thinking about Genre: What Makes a Movie “Religious”?original ↗

23 Feb 2026

GLOBAL GENRES—My Whole Bloody Affair: Why Kill Bill Vol. 1 is Punker than Kill Bill Vol. 2 original ↗

21 Feb 2026

GLOBAL GENRES—Kaiju Connections: Disabled Ecologies, Visibility, the Posthuman, and Transnationality in Pacific Rim original ↗

18 Feb 2026