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fitzmuseum.cam.ac.uk

fitzmuseum.cam.ac.uk

2026

Love-themed ceramics from the J.W.L. Glaisher collectionoriginal ↗
2 Oct 2026
Inspired by Civilisationsoriginal ↗
2 Oct 2026
Happy Placeoriginal ↗
2 Oct 2026
The Object of My Affection: stories of love from the Fitzwilliam collectionoriginal ↗
2 Oct 2026
1918: Victory and a new Europeoriginal ↗
2 Oct 2026
Floral Fantasiesoriginal ↗
2 Oct 2026
Designed to Impressoriginal ↗
2 Oct 2026
Writing in Cyprus and the Eastern Mediterraneanoriginal ↗
2 Oct 2026
Explore our collectionoriginal ↗
2 Oct 2026
Inflation, Identity and Nationalism: German emergency money between the warsoriginal ↗
2 Oct 2026
Things of Beauty Growing: British Studio Potteryoriginal ↗
2 Oct 2026
Virginia Woolf: An exhibition inspired by her writingsoriginal ↗
2 Oct 2026
Emma Smith light installationoriginal ↗
2 Oct 2026
Collecting and Giving: Highlights from the Sir Ivor and Lady Batchelor bequestoriginal ↗
2 Oct 2026
Jerusalem: Coinage and empire from antiquity to the 19th centuryoriginal ↗
2 Oct 2026
Print REbels: Haden, Palmer, Whistler and the origins of the Royal Society of Painter-Printmakersoriginal ↗
2 Oct 2026
Sampled Livesoriginal ↗
2 Oct 2026
Amateur Etcher of Distinction: Prints by Francis Seymour Hadenoriginal ↗
2 Oct 2026
RA250 at the Fitzoriginal ↗
2 Oct 2026
Vision: Long Road Sixth Form College Graduate Art Foundation Showoriginal ↗
2 Oct 2026
The Coffins of Pakepuoriginal ↗
2 Oct 2026
Enriching Collections: Recent acquisitions of prints and drawings 2009 –19 Exhibition Oneoriginal ↗
2 Oct 2026
Whistler & Natureoriginal ↗
2 Oct 2026
The Gentle Art: Friends and strangers in Whistler’s printsoriginal ↗
2 Oct 2026
Eddington's prehistoric and Roman pastoriginal ↗
2 Oct 2026
Making a Nation: Money, image and power in Tudor and Stuart Englandoriginal ↗
2 Oct 2026
The celebrated Mr Belzoni: A cultural gift to the Fitzwilliamoriginal ↗
2 Oct 2026
The 1920s: Crisis and innovationoriginal ↗
2 Oct 2026
Inspire: A celebration of children's artoriginal ↗
2 Oct 2026
Enriching Collections: Recent acquisitions of prints and drawings 2009–19 Exhibition Twooriginal ↗
2 Oct 2026
Palaces in the Night: The urban landscape in Whistler’s printsoriginal ↗
2 Oct 2026
Jennifer Lee: A personal selectionoriginal ↗
2 Oct 2026
Secrets of a Silent Miniaturistoriginal ↗
2 Oct 2026
Beggarstaffs: William Nicholson & James Prydeoriginal ↗
2 Oct 2026
Illuminating Winter Feastsoriginal ↗
2 Oct 2026
John Keats: Presence and absenceoriginal ↗
2 Oct 2026
Salisbury Family Collection of Studio Ceramicsoriginal ↗
2 Oct 2026
Sharpening Perceptions: How to copy a masterpieceoriginal ↗
2 Oct 2026
Rembrandt and the nudeoriginal ↗
2 Oct 2026
Henry Moore’s Hill Arches (1973)original ↗
2 Oct 2026
Seeing Sound: Music, imagery and inspirationoriginal ↗
2 Oct 2026
True to Nature: Open-air Painting in Europe 1780-1870original ↗
2 Oct 2026
The Frua-Valsecchi Collectionoriginal ↗
2 Oct 2026
The Macclesfield Psalteroriginal ↗
2 Oct 2026
Cuttings: Manuscript fragments on the loose!original ↗
2 Oct 2026
Fans Unfolded: Conserving the Lennox-Boyd collectionoriginal ↗
2 Oct 2026
Poussin's virtual realityoriginal ↗
2 Oct 2026
The Human Touchoriginal ↗
2 Oct 2026
Beethoven 250original ↗
2 Oct 2026
Virtue, Vice & the Senses: Prints 1540–1660original ↗
2 Oct 2026
Magdalene Odundo in Cambridgeoriginal ↗
2 Oct 2026
Scent from Nature: Beauty’s botanical originsoriginal ↗
2 Oct 2026
A True Likeness? Portraits in Word and Imageoriginal ↗
2 Oct 2026
Don't Wash Your Hands: Neither Light Agrees To Enter The Eyes Nor Air The Lungsoriginal ↗
2 Oct 2026
Feast & Fastoriginal ↗
2 Oct 2026
Making Money in the Early Middle Agesoriginal ↗
2 Oct 2026
Painting with Goldoriginal ↗
2 Oct 2026
Turning Heads: Lynette Yiadom-Boakye – Rembrandt van Rijn – Anthony van Dyckoriginal ↗
2 Oct 2026
Defaced! Money, Conflict, Protestoriginal ↗
2 Oct 2026
Gold of the Great Steppeoriginal ↗
2 Oct 2026
Global Goldoriginal ↗
2 Oct 2026
Imploded, burned, turned to ash - Tuesday 21 Juneoriginal ↗
2 Oct 2026
Extraordinary Universe of Peter Apianoriginal ↗
2 Oct 2026
The Fitzwilliam Museum - Fitz-Stitchoriginal ↗
2 Oct 2026
Rise Uporiginal ↗
2 Oct 2026
Prints and Drawings: Changing Displaysoriginal ↗
2 Oct 2026
New Display of University Boat Race Trophies in the Courtyardoriginal ↗
2 Oct 2026
Natural Connectionsoriginal ↗
2 Oct 2026
Real Families: Stories of Changeoriginal ↗
2 Oct 2026
Medieval Britain in Colour: 500 Years of Illuminated Manuscriptsoriginal ↗
2 Oct 2026
The Collection of Charles de Sousy Ricketts and Charles Haslewood Shannonoriginal ↗
2 Oct 2026
Bearing Witness? Violence and Trauma on Paperoriginal ↗
2 Oct 2026
Refugee Silver: Huguenots in Britainoriginal ↗
2 Oct 2026
William Blake’s Universeoriginal ↗
2 Oct 2026
First Official Joint Portrait of The Duke and Duchess of Cambridgeoriginal ↗
2 Oct 2026
Hockney’s Eye: The Art and Technology of Depictionoriginal ↗
2 Oct 2026
What's Neworiginal ↗
2 Oct 2026
Fitzwilliam Favourites in Gallery 3original ↗
2 Oct 2026
What's Neworiginal ↗
2 Oct 2026
Mediterranean Embroideriesoriginal ↗
2 Oct 2026
Women in Japanese Printsoriginal ↗
2 Oct 2026
National Treasures: Botticelli in Cambridgeoriginal ↗
2 Oct 2026
Bound Together: Leather from Northern Nigeriaoriginal ↗
2 Oct 2026
Tensions of Belonging: Connecting Cambridgeoriginal ↗
2 Oct 2026
Islanders: The Making of the Mediterraneanoriginal ↗
2 Oct 2026
Rembrandt, Rubens, Van Dyckoriginal ↗
2 Oct 2026
What's New XXLoriginal ↗
2 Oct 2026
Discovering Düreroriginal ↗
2 Oct 2026
Picturing Excess: Jan Davidsz de Heemoriginal ↗
2 Oct 2026
Black Atlantic: Power, People, Resistanceoriginal ↗
2 Oct 2026
Research projectsoriginal ↗
2 Oct 2026
Research projectsoriginal ↗
2 Oct 2026
Research projectsoriginal ↗
2 Oct 2026
Paris 1924: Sport, Art and the Bodyoriginal ↗
2 Oct 2026
Research projectsoriginal ↗
2 Oct 2026
Glenn Ligon: All Over The Placeoriginal ↗
2 Oct 2026
Gallery 33: Arts of the Near Eastoriginal ↗
2 Oct 2026
Gallery 34: Fans & Samplersoriginal ↗
2 Oct 2026
Founder's Entranceoriginal ↗
2 Oct 2026
The Courtyardoriginal ↗
2 Oct 2026
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