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filthydreams.org
filthydreams.org
2024
This Gagosian-Branded Sticker Made Me Instantly Hate Nan Goldin’s “You never did anything wrong”original ↗
11 Oct 2024
There’s No Going Back: The (Mouse)Trap of Womanhood in Narcissister’s “Voyage Into Infinity” and “The Substance”original ↗
7 Oct 2024
Xiu Xiu Is Having Fun (But Not Too Much) on “13” Frank Beltrame Italian Stiletto with Bison Horn Grips”original ↗
27 Sept 2024
24 Sept 2024
Touched by the Spirit! Touched by the Flame!: Nick Cave & The Bad Seeds’ “Wild God” Brings Me Back to the Joy of Discovering the Bandoriginal ↗
17 Sept 2024
Americans Are Scarier Than Alien Invaders in Zach Clark’s Body-Snatching Romance “The Becomers”original ↗
10 Sept 2024
Rubbernecking at Abigail Goldman’s Morbid Mini-Murder Die-O-Ramas at Hashimoto Contemporary: A Conversationoriginal ↗
26 Aug 2024
Chrystabell and David Lynch’s “Cellophane Memories” Is a Punishing Album but a Genius Work of Artoriginal ↗
6 Aug 2024
5 Movies for Sickos I Saw Recently and Loved (Or Liked): Last Summer, MaXXXine, Longlegs, Café Flesh, and In the Realm of the Sensesoriginal ↗
31 Jul 2024
I’m a Thousand Different People—Every One Is Real: Cynthia Carr’s “Candy Darling: Dreamer, Icon, Superstar”original ↗
23 Jul 2024
This Is the Land of Ghosts, See?: The Haunted American Landscapes of Ethel Cain and “Skagit”original ↗
11 Jul 2024
3 Jul 2024
“Shoot for the Stars” at Swanson Kuball Makes Me Wish I Were a Member of the Abelow-Kirilloff Familyoriginal ↗
26 Jun 2024
18 Jun 2024
Every Institution Has Constraints!: I Can’t Stop Thinking About the New Artforum Editor-in-Chief’s Letteroriginal ↗
11 Jun 2024
Outing the Global South: “Foreigners Everywhere,” the 60th Venice Biennale Arte, Pleasantly Cancels Itself Outoriginal ↗
5 Jun 2024
From Sleeping Boys to Hot Clinton/Gore: Gonzalo Reyes Rodriguez Connects an Alternative Queer History at David Peter Francisoriginal ↗
29 May 2024
Reba Maybury Turns Eager Submissives Into Her Artistic Tools in “The Happy man” at Company Galleryoriginal ↗
10 May 2024
6 May 2024
29 Apr 2024
15 Apr 2024
Birth Scenes in Body Horror Movies Have Nothing on Clarity Haynes’s “Portals” at New Discretionsoriginal ↗
2 Apr 2024
Wild Gods: Adam Steiner’s “Darker with the Dawn: Nick Cave’s Songs of Love and Death” and “Silhouettes and Shadows: The Secret History of David Bowie’s Scary Monsters (and Super Creeps)”original ↗
18 Mar 2024
Unseen World: Katelyn Eichwald Keeps the Mystery Alive in “Talisman” at Fortnight Instituteoriginal ↗
9 Mar 2024
“As the World Burns: Queer Photography and Nightlife in Boston” Keeps Dancing and Breaking out the Booze Through the Archivesoriginal ↗
4 Mar 2024
There Was More than the Pungent Smell of Blood and Sugar: A Conversation with Sara O’Keeffe and Christopher Udemezueoriginal ↗
26 Feb 2024
Macabre Camp & Memory Pictures: Jonathan Glazer’s “The Zone of Interest” and Ceija Stojka’s “We Lived in Secrecy (A Roma Memory)”original ↗
23 Feb 2024
When Monster Meets Monster: “Lypsinka: Toxic Femininity” and Cindy Sherman at Hauser & Wirthoriginal ↗
13 Feb 2024
You Can’t Wake up if You Don’t Fall Asleep: Thordis Adalsteinsdottir’s “Some of It May Have Started at the River” at Nunu Fine Artoriginal ↗
5 Feb 2024
What’s That Smell?: Lucas Hilderbrand’s “The Bars Are Ours” Offers an Enticing Whiff of American Gay Bar Historiesoriginal ↗
23 Jan 2024
Inside a Constant State of Desire: Michelle Handelman’s “DELIRIUM PART ONE: DEATH (The Breakdown)” at signs and symbolsoriginal ↗
15 Jan 2024